TECH a 8-bits CPU (labeled CPU-06) manages up to 6 voices polyphony.
A voice is composed by 2 DCO at 16' to 4' octaves with individual gain mix, pitch and balancing.
Each oscillator DCO can be assigned to a 2 kinds of synthesis between:
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- wavetable subtractive PCM
- digital additive |
WAVETABLE the internal 32 Kb ROM (check SP37 + SP38 EPROM) contains 32 (+1 noise ) short cycled waves coded at 8-bits. The PCM is organized in 2 groups (FULL wavetable list HERE)
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- PCM mathematically generated waves e.g square, sinewave and sawtooth.
- PCM acoustic transients e.g piano, brass, organ, bell, guitar, plucked, string, trumpet, guitar, slap, hammered tine, metallic wave, digital harmonic, pipe, glocken, harpsichord and sax.
Hear all waves
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ADDITIVE process sums sinewave waveforms at variable intensities from 32 harmonics out of the 128 available.
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LEFT - 31 intensity levels for each selected harmonic, this process is defined step by step then created harmonics combination is saved to a specfic memory slot. |
PERFORMANCE it is possible to assign the DCO in 2 performance modes:
- split: 2 sounds are assigned on the keyboard
- unison: stacks voices with monophonic mode and portamento (but no detune)
The aftertouch can be individually assigned to 3 parameters each with 15 levels:
- balance: determines the relationship between pressure and mix balance between OSC1 and OSC2
- VCF: between pressure and filter cutoff
- VCA: between pressure and amplitude.
PERFORMANCE it is possible to assign the 6 voice polyphony in 2 performance modes:
- split: 2 sounds are assigned
- unison: stacks voices with monophonic mode and portamento (but no possible detune).
The aftertouch can be individually assigned to 3 parameters each with 15 levels
- balance: determines the relationship between pressure and mix balance between OSC1 and OSC2
- VCF: between pressure and filter cutoff
- VCA: between pressure and amplitude. |
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FILTER analog resonant filter is multimode.
The VCF keyscale determines the relationship between keyboard scale and filter cutoff.
- lowpass at 4 poles based on famous chip SSM 2044
- static highpass.
Hear filter |
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LFOa single delayed modulator (shapes: triangle, saw, square, random and random chromatic - which is more linear than classic random) and 3 destinations:
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- LFO to pitch
- LFO to filter
- LFO to amplitude |
Hear LFO S&H
ENVELOPE 2 scaled analog EGs based on BA6110 chip:
- EG amplitude 4-segments ADSR
- EG filter 4-segments ADSR.
VCA Keyscale function determines relationship between keyboard scale and amplitude.
EFFECTstereo chorus based on Panasonic BBD MN3009 + MN 3011 generate different chorus effects and a kind of very short timed simulated delay.
MEMORY:
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50 RAM slots
RAM
doubled if cartridge model Kawai RC-2 is present, patch and additive combinations can be also saved to sysex Midi Dump.
Battery replacement : a 3V cr2032is soldered to the mainboard. |
EDIT programming on display is pretty annoying, fortunately there are external softwares:
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Midiquest / Soundquest (PC / MAC commercial)
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caged (for Atari ST) PIC
- Kawai K3 table editor (for atari 400/800XL) PIC
- K3 / K3M programmer for Lemur system
- Ctrlr K3 template -PIC BELOW
or hardware sysex controllers with template like:
- Behringer BCR 2000
(VIDEO)
- Kenton Freak (LINK)
- stereo ping (LINK) |
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RELATED FAMILY:
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K3 keyboard version: 61 key with velocity and aftertouch- neat jog wheel for sound tweaking, sadly missing on module. |
VST PLUGIN / SAMPLED VERSION there are some free and commercial samples set:
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Cobalt VST
Emulation of K3 but also:
-Korg DW-8000
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Ensoniq ESQ1
-Ensoniq SQ8L
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No longer officially available
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