TECH 16 bits HD6413003F (H8/3003 family) + DSP56362 manage 8 voices polyphony and 2 syntheses:
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- basic FM a basic FM process inspired from DX principle: a single modulates another to produce a resultant more harmonically complex waveform. OSC 2 is able to FM OSC 3 using a dedicated FM envelope.
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VA modeling subtractive synthesis (main synthesis)
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STRUCTURE a voice is composed by 3 oscillators:
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OSC1 |
OSC2 |
OSC3 |
waveforms |
tri / saw / sine / pulse |
like osc1 |
like osc1 |
pulse width |
yes |
yes |
yes |
hardsync |
1>2 |
1 > 2 |
- |
phase attack |
yes |
yes |
yes |
random drift |
yes |
yes |
yes |
ringmodulator |
yes |
yes |
yes |
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PERFORMANCE some special playmodes:
- unison: stacks up to 8 voices with mono glide+ detune
- drift: simulates an analog VCO drift
- mono: 2 modes with different priorities
- portamento: linear or exponential
- noise: add a white noise
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aftertouch: can be assigned to pitch, filter or modulator freq
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breath: can be assigned to pitch, filter or modulator freq
- vibrato: can be assigned to pitch, filter or modulator freq
- polymode: with or without note stealing
option. |
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FILTER digital Lowpass resonant filter with 2 / 4 poles configuration and overdrive saturation.
Filter can process also external sources + Keytrack function.
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HEAR external source filtering |
ENVELOPE 3 EGs:
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- EG modulation: 4-segments with retrigger mode
- EG amplitude: 4-segments with retrigger mode
- EG FM: attack, decay, EG velocity and depth. |
LFO up to 2 syncable (34 dividers) delayed modulators (4 shapes with variable phase attack: sine, square, saw, sample and hold. )
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- LFO1: modulates osc pitches (each depth is individual)
- LFO2: modulates filter and pulse width
HEAR sample and hold-filter |
ARPEGGIATOR a 4 octaves engine, with variable gate time, latch mode and 16 sync-time dividers. 6 patterns: up, down, random, up-down1, up-down2 and lastnote (the arpeggio plays the last note played in sequence).
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SYNC quite all parameters can be synched together to Midi clock with various dividers rate. Engine also transmit notes to other compliant Midi machines.
HEAR arpeggiator
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MIDI all parameters can be controlled by Midi CC#, in addition a full sysex protocol is implemented for both edit and data storage dump.
EFFECTS DSP offers various editable effects:
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- delay: with feedback, tempo sync and dividers
- reverb: 6 models
with variable decay
- distortion
- equalizer
- chorus: with variable width, rate, feedback and 34 tempo dividers
- panning: with motion rate, start position and sync 34 dividers
- vocoder: 12 bands and use internal OSC as carrier with sibilance control (highpass or noise)  |
MEMORY:
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200 ROM sounds
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200 RAM sounds
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- LEFT - Astation motherboard
- Click to enlarge picture - |
EDITOR
- Midiquest (win/mac commercial)
- novation astation editor (win, commercial)
- Novation astation control (VST, freeware)
- Novation A-Station Editor Luigi Bianchi PIC |
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RELATED FAMILY:
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Bass station, analog machine exists in both:
-rack
-keyboard
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Novation Supernova I / II - top notch Nova synthesis VA |
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K- Station rack - updated version with some extra PCM wavetable section. |
AUDIO DEMO
VIDEO SELECTION
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